Members of

New York University

Vocal Chamber Music Class

Fall 2007

In this class I intended to help the students grow as performers in as many aspects as possible.  Today selections were taken from this semester’s weekly assignments. Each assignment was prepared before class to the best of the students’ abilities. They were expected to give a performance of the assigned song that exhibited their artistic choices as individuals and especially as an ensemble. This semester’s exceptionally talented group brought endless amount of energy and receptivity. 

I hope you enjoy today’s performance as I enjoyed every Friday class!

Prof. Jorge Parodi

The Domenico Zipoli Institute is fortunate to have support of the parishes of the Institute of the Incarnate Word. One of the DZI’s objectives is to ensure the preservation and performance of Spanish Baroque music. The DZI is unique not only it in its musical focus, but in its mission to bring high quality performances to  musically under served communities.

NEXT EVENT: Bach Society Choir and Orchestra,

Music by Bach and Mendelssohn.

Friday November 30^th, 8 pm. St. Paul’s Church. - Free Admission.

Institute Domenico Zipoli

Saint Paul’s RC Church

Present

Recital in Honor of

-Saint Cecilia-

Vocal Chamber Music

Songs and vocal ensembles with flute, violin,

clarinet and piano accompaniment.

Members of

New York University

Vocal Chamber Music Class

Prof. Jorge Parodi, director

New York University

The Steinhardt School of Education

Department of Music and Performing Arts Professions

Friday November 16^th, 8 pm

Duets Hob. XXV9 (1796)          

Franz Joseph Haydn (1738-1809)

1.- Saper vorrei se m’ami

Arnegger, Borgstedt, McKay

2.- Guarda qui che lo vedrai

McGlave, Bibuld, McKay

-o-

“Gelobet sei der Herr”        

Johann Sebastian Bach (1685-1750)

From “Gelobet sei der Herr” Cantata BWV129 (1726)

Harz, Kompar, Borgstedt, Parodi

-o-

"Schafe Können"                

Johann Sebastian Bach (1685-1750)

From “Was mir behagt”, Hunting Cantata BWV208 (1713)

Harz, McCoy, McGlave, McKay

-o-

Canzonette Op. 4 (1765)         

Johann Christian Bach (1735-1782)

“Ah rammenta, o Bella Irene” Op. 4, #2

Borgstedt, Kompar, Parodi

“Ascoltami, o Clori” op. 4, #6;

Arnegger, Bibuld, McKay

-o-

“Malorous Qu'o Uno Fenno”          

 Luciano Berio (1925-2003)

From Folk Songs (1964)

Harz, Kompar, Kromnick

-o-

Une Flûte Invisible (1885)         

Camile Saint-Saëns (1835-1921)

Harz, McGlave, McKay

-o-

As It Fell Upon A Day (1923)          

Aaron Copland (1900-1990)

Borgstedt, McCoy, Kromnick,

-o-

“With Rue my Heart is Laden”

Ralph Vaughan Williams (1872-1958)

From ‘Along the Field’ (1927)

McGlave, Kompar

-o-

Quasi menuetto

Ralph Vaughan Williams (1872-1958)

From ‘Three Vocalises’ (1958)

Bibuld, Kromnick

-o-

Three Irish Folksong Settings (1988)

John Corigliano (1938)

1.- The Salley Garden; Kompar, McCoy

2.- The Foggy Dew; Borgstedt, McCoy

3.- She Moved Through the Fair; Arnegger, McCoy

-o-

Sechs deutsche lieder, Opus 103 (1837)

Louis Spohr (1784-1859)

1.- Sei still mein Herz

Kromnick, McGlave, McKay

3.- Sehnsucht

Kromnick, Arnegger, McKay

4.- Wiegenlied

Kromnick, Bibuld, McKay

Members of

New York University

Vocal Chamber Music Class

Fall 2007